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Metal-Archives

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cuz books with guitars on them are soo metal.
cuz books with guitars on them are soo metal.

Metal-Archives is the internet's main refuge for tr00 and kvlt metalheads who won't accept anything as metal unless it bathes in stereotypical faggotry of epic proportions. The site itself is broken into a band database & reviews section, and a messageboard that is typically full of CoF worship, Joey Jordison cocksucking and scene kids that think System of a Down is death metal.

Contents

Purely a clusterfuck of opinions that don't make much sense whatsoever, and drone on, and on and on ad infinitum - and then a little more

The reviews on Metal-Archives - hereafter known as MA - are, without sounding pretentious, some of the most juvenile, braindead, molested pieces of thinly diced dog phallus sprinkled with super-cheap, no-name brand stink-like-shit Parmesan cheese that are currently fucking up any sort of reliability that the internet has as a shopping guide for extreme music. To actually be able to express how bad these reviews are in a fashion that suitably describes them would take a whole wiki of Uncyclopedic adjective redundancy. I mean, Jesus Christ:

 
 
BLLLLARRRGGG. ROOOOOARRRR. ARRRRGGGH!!!
 

 

—The first line of a long-standing MA review, on being sucky to the max

Funny Quote

 
 
I have never met so many people that enjoyed the scent of their own genitalia
 

 

—Anonymous on Metal-Archives Forum

LOL WUT

A quick example of the kind of elitist cunts that lurk around Metal-Archives would be this necro and gr1m music video from well-known cuntwipe droneriot. This shit is srs bzns.

If you don't enjoy this music, you aren't deaf enough to write reviews for the site. Moderators on the Forum have been known to ban users for the following offenses: nothing. High on a power trip, they gain points through contributing the following to the encyclopedia: nothing. Things that qualify half the site to actually write about music: nothing.

The latter is actually evidenced in reviews like such:

All right, it's not technically sophisticated and most of the keyboard playing sounds as if it's being done with just two fingers plus a lot of tape looping but in its own way, Burzum's "Filosofem" album is an advance in music composition for mid-1990s black metal: the repetitive and austere minimalist approach, the emphasis on dark and brooding atmosphere in the bulk of the album and on portraying extreme solitude and desperation generally, and the integration of synthesizer-based ambient elements into the guitars / bass/ drums set-up is a combination that was probably unusual at the time of the album's release though it is something we take for granted these days. Like "Hvis Lyset Tar Oss" before it, "Filosofem" is a perfect illustration of the "Less is more" cliche: the almost ridiculously simple approach to song-writing, playing, arrangements and production has created an album of very dark and complex emotions, wide spaces and cold, melancholic beauty, and as can be seen in the reviews below, this can result in a variety of reactions and interpretations with the same track engendering feelings of peace in some people and loneliness or emptiness in others, and surely this outcome is what we expect of great albums. The pivotal track of "Filosofem" in my view and the one referred to just now is the fifth track "Rundgang um die Transzendentale Saule der Singularitat" which is played entirely on synth and initially comes across as a too-long maddeningly repetitive piece with no apparent development, climax or resolution. However, if you listen to it a number of times, the track does change quite a bit in some of its details and the plaintive melody, repeated over and over with clear pure tones, has a trance-inducing effect. You can float away in a serene peace (the music can seem a bit New Age-y for some people) or you can be awestruck by the level of bleakness, emptiness and nihilism revealed. This is most definitely a track you cannot feel indifferent towards! "Rundgang ..." is bookended by two shorter pieces, "Gebrechlichkeit I" and Gebrechlichkeit II", which have the same melodies but musically are different, the former featuring wild shrieking vocals and the latter being more keyboard-based but without any vocals: I see these tracks as representing two sides of the same thing, possibly ascent and descent respectively or vice versa, and when all three tracks so far mentioned are considered in their proper order on the album, I would say a ritual involving a life-changing transformation is implied here. Incidentally "Gebrechlichkeit" can mean "decrepitude" but according to a German-English dictionary I have, it can also mean "fragility" which seems more appropriate to "Filosofem". Now for the other three tracks on "Filosofem" which I prefer personally (I'm nowhere near as kvlt-as-fvck as I might have sounded earlier): "Dunkelheit" is a strong opening track and establishes the album's style straight away, with rough yet clear production, distorted guitar fuzz all the way through the song, strummed-guitar instrumental, dead-simple keyboard melodies and heavily distorted singing / shrieking that almost merges with the guitars. Having the keyboards and the guitars playing the same melody together shows up the contrast between the harsh guitar sound and the smooth, almost sweet tones of the keys, and this helps to produce a feeling of pain, depression and loneliness with a minimum of effort. The next two tracks are more black metal but like the other pieces are still repetitive, minimalist in structure and trance-like. "Jesus Tod" is the most aggressive song, an emphatic rejection of Christianity and all it stands for, and has a blistering pace and rhythm to back up the hatred Vikernes feels towards this religion. After this track comes the embrace of Odin-worship in the piece "Erblicket die Tochter des Firmaments" ("Beholding the daughters of the firmament", that is, seeing the Valkyries of Norse myth come down from the skies to collect the dead heroes) which is mid-paced with a basic rhythm and a more resigned, even contemplative mood. At this point we run up against the trio of "Rundgang ..." and the "Gebrechlichkeit" tracks, and I can now see with the hindsight of writing waffling reviews that (for me anyway) the album traces the inner struggle with darkness, the rejection of old and outmoded values and ways of thinking, the willingness to embrace a new ideology and code of values, and the consequences of changing one's ways. As most of us are already too aware of, Varg Vikernes himself more or less followed through on what "Filosofem" suggests and found that indeed, the consequences were life-changing and transforming but not necessarily in the way he might have expected; for him, I think, the inner struggle of individual values versus society values (and I am not suggesting one set of values is to be preferred over another - I suspect that Vikernes's Odin-worship is a cover for his neo-Nazi beliefs but that's my opinion) will continue and the consequences of that which he will have to live with for the rest of his life are still to come. And I guess this is the paradox about "Filosofem" that makes it a classic black metal album: it is at once a personal journey and struggle of a particular kind, and yet one we can all understand and relate to, so the album becomes an example of the journeys and choices we must make, and the suffering we must accept and bear when we make them.

It was taken from a review on Burzum's "Filosofem." Notice immediately how the critic goes on and on about darkness and shit like that instead of actually talking about the music. PROTIP: If you think Burzum's albums are a journey, move the fuck out of your mother's basement. However, any attempt to point this out will result in a quick ban through community uproar, seeing as if you don't like Burzum, you're just not trve enough.

Now, while the administrators at Metal-Archives claim to have a high standard for reviews, that doesn't keep from letting the trver than thou fanboys from writing wholly useless slag pieces on bands that are just way too popular to like.

 
 
This album loses even more of the riffs and turns into a dangerously groove-filled environment. Lots of Korn influence on here. The last album couldn't be called thrash, this one barely struggles to be called metal. A lot of the features central to mallcore can be found here, and I don't just mean rapped vocals - the general idea where the guitar is de-emphasised and "atmosphere" is attempted through the use of slowing down the song and inserting some whiney vocals.

The drumwork is actually the saving grace of the album, and what keeps it barely metal. There is some decent double-bass to be found here, and if it weren't so damn emphasized in the mix at the expense of the guitars, it would be a nice backdrop.

A highly questionable album. This band just gets shittier and shittier. Insert here the obligatory note of how Vio-lence is so much fucking better.
 


 

— Seriously, what the fuck is this shit and who tells these people their reviews are actually doing something other than making people who actually like music want to buy the album

There are over 9000 of both types of reviews, but they're the only ones you will find.

Tips for Crafting Your Very Own Metal-Archive Review!

1. Deciding on a good title should be the priority here, but there are a few key factors. For instance, if you're reviewing an American black metal band, you can never be positive. A title like "fuq u!!! bvrzvm!" always does the trick, but be creative. Here's an example:

"Xasthur? More Like Assthur!"

And now you have the 13 year old boy wit ready to continue with your very own review!

2. To open, make sure you tell some boring story about how you got this album(don't be honest though, or else all of them would start with "I pirated this"), or the secondary option, make a long-winded rant about how x band's new album was nowhere near as good as their last.

3. Onto the actual music. These are the only terms you can use:

  • Brutal
  • Kvlt
  • Necro
  • Grim
  • Frostbitten (or just frosty)
  • Thrashy
  • Buzzsaw
  • Distorted guitars
  • Melody(Must always be followed by "is gay")
  • Detuned
  • tr00
  • Fimbvlwinter
  • Mustard Gas
  • Lobster Claws
  • Dropped (or deep) C, B, Bb, etc...
  • Punish/ing
  • Breakdown (as in, "the best _______")
  • Lasers
  • Bears
  • Chairs (metalheads hate chairs)

You can either go with that edict, or you can follow this:
1. Go to any LJ role-playing group.
2. Ctrl+C
3. Paste
4. ????
5. Profit!

4. An hero and claim that Dead was a visionary. Liek Jesus.

Tips for Trolling

  • Say that Cryptopsy's newest album was definitely their best effort yet.
  • Tell them you're a Christian.
  • Ask why black metal bands have to look like KISS. (Old as the internet, but always does the trick)
  • Insist that Slipknot is death metal.
  • Tell them Varg Vikernes wastes his time hating niggers when he should be hating Jews.
  • Give Trivium a positive review.
  • Review Grunge bands, and when some one says "Fuckin' N00B! Grunge ain't Metal" Reply, "Alice in Chains, Tad, and Jesus Christ Pose."
  • Insist that George 'Cum Drinker' Fisher is a better Gutteral vocalist then Chris Barnes
  • Tell them you think Oli Sykes is "Teh Br00talist Deff Metul/Grindcore vokillist eva!"
  • Tell them that Tim Owens is a better singer than Matt Barlow ever was.
  • "If I wanted to hear a mongoloid beat his dick against a cheese-grater, I'd listen to (subject's favorite band)."
  • Show them this picture.
  • Tell them that you are Rob Darken
  • Use This generator
  • Say Dethklok is a decent death metal band
  • Insist that System of a Down and Korn deserve archive pages because they are pioneers of modern progressive metal.
  • Suggest that Iwrestledabearonce is "aaammaaaaziiing," and "omg she can scream AND sing good"

Blabbermouth.net looks like a Pulitzer Prize contender next to this.

Links

This shit is just pathetic



Metal-Archives is part of a series on Music

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